The tune is too restrained and too under-developed. While the singing is very good, this religious song is not much fun to listen to. Hemlata’s final duet is with Jaspal Singh in “ Dohavali” (also known as “ Bade Badai Na Kar”). It makes you realise how today’s singers (Sunidhi Chauhan, K.K.) are so much better at singing English words. I have no idea why on earth English words are used here, they could have easily been replaced by Hindi.
The way the English words are rendered by the singers will either make you cringe or laugh. “ Ek Din Tum Bahut Bare Banoge, Ek Din…” could have been a great song but it suffers from the English lyrics syndrome.
Akhiyon ke jharokon se mp3 free#
A dreamy track, the song evokes images of a secluded paradise where two lovebirds roam free content with each other’s company. The best parts are when both the artists sing together, it is ravishing the way that both of their voices intertwine. “ Kahi Din Se Mujhe” is just charming and idyllic. Hemlata’s honeyed voice contrasts very well against the textured voice of Shailendra’s. Hemlata pairs up with Shailendra Singh for two romantic duets in this album. His voice has that soothing and aromatic quality to it. This is definitely not a wrong decision here Ravindra reveals his hidden talent for singing. choosing themselves to sing) regarding certain songs. Sometimes, big egos can be the main reason why a lot of music directors make unsuitable decisions (i.e. Ravindra himself takes the mike for “ Jaate Huye Yeh Pal Chin”. “Part II” is the most moving while “Part III” has a slightly more optimistic message and so has a chorus joining in this time. A touching image is created from Hemlata’s powerfully stirring voice, that of tears being on the tips of a young woman’s eyelashes but never actually running down her soft cheeks. Like a flower trying to hold on to her garden in the middle of a ferocious storm, the lyrics portray a woman who is on the verge of emotional breakdown but struggling to stay happy on the outside for the sake of her beloved. Get your tissues out as Hemlata’s tearfully assesses the distress of her situation (for the female character in the film who is afflicted with cancer). The above song is very well known and Hemlata’s rendition is out-of-this-world but I am always more affected by the two shorter versions, “ Ankhiyon Ke Jharokon Se (Part II)” and “ Ankhiyon Ke Jharokon Se (Part III)”. “ Din raat dua maange, Mera mann tere vaaste, Kabhi apni umeedon ka, Koi phool na murjaaye.” With a lot of hope and praying comes the fear that one day there might not actually be anything left to hope for. “ Tum door nazar aaye, Badi door nazar aaye, Band karke jharokhon ko, Zara baithi jo sochne, Mann main tumhi muskaaye”. And yet she realises that she has nothing to fear because her beloved will always be there with her in her thoughts and her heart. The words strike a chord because they are about fear of being separated from your beloved one.
The number is a beautiful concoction of melody and soulful lyrics. This was hailed as the most popular song of 1978 by ‘Binaca Geetmala’ (a radio show that used to compile records of album sales). While Ravindra Jain and Hemlata have worked on many other exceptional songs, this is easily their best one together.
The title song of “ Ankhiyon Ke Jharokon Se” is her masterpiece. She enchanted millions, and continues to do so, with her magnificent velvety voice rich in emotion and expression. In the 1970’s, she gave us some unforgettable pearls in her exquisite voice. Hemlata is hardly seen on the Hindi film music scene nowadays. Singers: Hemlata, Shailendra Singh, Ravindra Jain, Jaspal Singh. Planet-Bollywood - Music Review - Ankhiyon Ke Jharokhon Se
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